My zines are built from cut-up collage, text fragments, or original poetry. I create mini-zines to process, question, and voice what doesn’t get spoken out loud. Lo-fi on purpose, they resist perfection and celebrate what’s raw, personal, and political. For me, making zines is a way to think through my hands… to gather, disrupt, and reframe.

My journaling practice is rooted in stream-of-consciousness writing — raw, unfiltered, and deeply present. Inspired by the idea of Morning Pages, but untethered from routine, I write when I’m moving through big emotions, confusion, or lingering in liminal space. It’s a private act of emotional mapping as a way to listen inward, trace thought patterns, and give shape to the unseen. Writing becomes a tool for release, reflection, and re-orientation.

Collage is a method of interruption — of excavating image and meaning from the systems that produced them. I collect, dissect, and reconfigure what was never meant to speak back. In this practice, the object becomes subject. What is disposable becomes declarative. Through layering, cutting, and recontextualising, I reclaim narrative and rupture dominant visual culture.

My facilitation work centers on art as a tool for healing, expression, and resistance. I create spaces where people — especially girls, youth, and marginalized communities — can access their creativity without fear or pressure to perform. Rooted in process over product, my sessions prioritize storytelling, emotional exploration, and personal agency through accessible materials and intuitive making. Art becomes a language for what can't always be said. This is not about teaching art, but about holding space for people to remember that they are already artists — already whole, already powerful.