Collage is a method of interruption — of excavating image and meaning from the systems that produced them. I collect, dissect, and reconfigure what was never meant to speak back. In this practice, the object becomes subject. What is disposable becomes declarative. Through layering, cutting, and recontextualising, I reclaim narrative and rupture dominant visual culture.

Collage is not decoration… it’s a strategy of resistance and reclamation.